I have just set up a bookstore, of sorts, using Amazon’s new aStore service. The link also appears in the sidebar. The store is quite simple and generally features authors and music I happen to care about or to be listening to at the moment.  As with every other link on these pages, any commissions I collect are donated, in turn, to one of two food banks in New Jersey, U.S.A.

One way to become a better, more attentive reader in general is to pick one author and dive in deeply. I selected James Joyce partially out of a sense of obligation – Joyce was, and remains, after all, a cannonized author and his short story The Dead is regularly taught and may be one of the best ever written.  Dubliners, the collection from which The Dead is taken, is probably Joyce’s most accessible book. Finnegans Wake is the most daunting. Herewith my advise on reading Finnegans Wake

Finnegans Wake, unfortunately, comes with a lot of academic baggage. Even before it appeared in final form, way too much emphasis was placed on deciphering the portmanteau words and attempting to translate what Joyce wrote into something resembling conventional English. This is unfortunate, really misses the point, and subverts Joyce’s project. The best way to approach Finnegans Wake is, quite simply, to read it straight through without worrying too much if you understand every word. Face it, you will not. But if you read it with the same attention that you devote to other books, you will notice patterns and develop snippets of understanding. Meaning will bubble up. Trust me. It helps, too, to read it aloud or, barring that, to mentally vocalize the words.

Once you have read the book, then it is OK to start checking out the secondary literature. I have included a couple of links below. However, if you don’t believe me and want to start with a guide, then by all means choose The Finnegans Wake Experience, a short book by Roland McHugh. While McHugh is also known for his collection of annotations, The Finnegans Wake Experience. The Finnegans Wake Experience discusses his personal history with the book. Importantly, McHugh came to the book cold, so his retelling of his experience will provide you with confidence and reassurance should you get bogged down in Finnegans Wakes’  compexities.

Do not make the same mistake I did. Never read the hopelessly reductive, superficial “Skeleton Key”. Here are some of the more useful books I have found. Clive Hart’s book is out of print, but your library may have it and you can probably buy it used.

Structure and Motif in Finnegans Wake, by Clive Hart

Joyces Book of the Dark, by John Bishop.

Hart’s book is particularly good on structure, while Bishop’s will give you a good feel for the language.
 

James Joyce said that all good stories start with “Once upon a time.”

It doesn’t really matter what a story starts with as long as it ends. That is the idea, to get to the end. If you don’t know how it is going to end then, there you go. Ever building, working, weaving, and nothing standing as a whole ever coming of it, ever. Then, like Robert Musil, dying with an unfinished manuscript, a novel that if Musil was immortal would still be going on, the action extending through two world wars, the cold war, yesterday, now.

That is something. There is nothing wrong with that, really. It just means you might as well give up on  publication. Unless you are the type to post excerpts. Unless you are the type to print excerpts, and your excerpts are good enough to be printed.

Robert Musil was.

Joyce was, and did.